Newtek TriCaster Advanced Edition User Guide Bedienungsanleitung Seite 224
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Close the Grab Still Configuration panel by clicking Close, or clicking outside the panel. Then click the
Dashboard Grab button to capture the selected a/v source(s) to your hard drive. Image files are stored in a
folder named for the session inside the main Still folder for the current session (sub-folders are created for
the supplementary files captured when Grab all inputs is in use).
Hint: Grab stores images from sources with embedded alpha complete with their transparency information.
- CONTENTS 3
- ABOUT THIS MANUAL 15
- INTRODUCTION 17
- SECTION 2.4 STARTUP SCREEN 18
- SECTION 2.5 LIVE DESKTOP 18
- Monitoring 19
- Dashboard 19
- Live Control 19
- Tabbed Modules 19
- FIGURE 3 21
- VIDEO LAYERS AND TRANSITIONS 22
- DSK CHANNELS 23
- FIGURE 8 (TRICASTER 8000) 24
- IMPORT MEDIA 25
- FIGURE 9 26
- SETTING UP 29
- FIGURE 11 30
- UPDATES 31
- ENHANCED SUPPORT (PROTEK) 31
- FIGURE 12 – TRICASTER 8000 32
- FIGURE 13 - TRICASTER 860 32
- FIGURE 14 – TRICASTER 460 32
- FIGURE 15 – TRICASTER 410 33
- FIGURE 16 – TRICASTER MINI 33
- FIGURE 17 35
- SECTION 3.8 TALLY LIGHTS 38
- THE HOME PAGE 39
- THE SESSION PAGE 40
- THE LIVE DESKTOP 40
- FIGURE 24 42
- SECTION 3.12 CONFIGURE AUDIO 44
- FIGURE 27 45
- FIGURE 28 45
- FIGURE 29 45
- AUDIO HEADROOM 46
- SECTION 3.15 NETWORKING 47
- BASIC TRAINING 49
- FIGURE 33 50
- SECTION 4.2 VIDEO TRAINING 51
- PAR T II ( R EFERENCE) 53
- THE STARTUP SCREEN 55
- SECTION 5.2 THE HOME PAGE 57
- TEMPLATE 58
- CONTEXT MENU 59
- RESTORE SESSION BACKUP 60
- OPENING A SESSION 60
- ADMINISTRATOR MODE 60
- SYSTEM UTILITIES 61
- SETTINGS 62
- SHUTDOWN 63
- SECTION 5.3 THE SESSION PAGE 64
- FIGURE 48 65
- FIGURE 49 65
- FIGURE 50 66
- FIGURE 51 66
- CONFIGURE DATALINK KEYS 67
- BACKUP SESSION 67
- LIVE DESKTOP: OVERVIEW 69
- SECTION 6.3 CONTROL TYPES 70
- FIGURE 54 71
- FIGURE 55 72
- THE DASHBOARD 75
- SECTION 7.2 OPTIONS MENU 76
- SECTION 7.3 MACROS 77
- SECTION 7.4 WORKSPACES 77
- I/O CONFIGURATION 79
- PRIMARY OUTPUTS 80
- LPHA MATTE 82
- ENERAL NOTES 82
- TREAM AND NETWORK 82
- DISPLAY OUTPUTS 83
- REFERENCE TYPE 85
- FIGURE 65 86
- FIGURE 67 87
- UTO-DETECT (SDI) 87
- UPPORTED FORMATS 87
- FIGURE 69 (TRICASTER 8000) 90
- FIGURE 68 90
- FIGURE 70 91
- FIGURE 71 91
- FIGURE 72 92
- FIGURE 73 92
- AUTO COLOR 93
- MULTICAM 93
- LISTEN ONLY 93
- PROC AMP 93
- ADVANCED COLOR CONTROLS 94
- STATE CHANGE 96
- HOTSPOTS 97
- ADJUSTING TOLERANCE 97
- SECTION 8.3 NETWORK INPUTS 98
- FIGURE 84 99
- FIGURE 85 99
- FIGURE 83 99
- FIGURE 82 99
- FIGURE 86 100
- SECTION 9.1 SWITCHER ROWS 101
- TriCaster 8000 only 102
- • Program 102
- • Preview 102
- Program 102
- FIGURE 89 103
- CONFIGURING TRANSITIONS 104
- DSK POSITIONING 105
- POSITION 105
- ANIMATION STORE TRANSITIONS 105
- USE SOURCE TRACKER 106
- BORDERS 107
- DSK TRANSPARENCY 108
- BACKGROUND TRANSITION 109
- TRANSITION DELEGATES 109
- TAKE AND AUTO 110
- SECTION 9.5 EFFECT VIEW 111
- SECTION 9.6 UNDO/REDO 112
- SECTION 9.7 SWITCHER MEMORY 113
- MONITORING YOUR VIDEO 115
- SECTION 10.2 SCOPES 116
- VIEWPORT OPTIONS 117
- FIGURE 115 118
- FIGURE 116 118
- SECTION 10.3 PROGRAM MONITOR 119
- M/E PREVIEW AND PROGRAM 120
- MEDIA PLAYERS & BUFFERS 121
- SECTION 11.2 SHARED FEATURES 122
- FILE OPERATIONS 123
- AUTOMATION 124
- PROPERTIES 124
- DISPLAY NAME 124
- COMMENT 125
- ALPHA CHANNEL SUPPORT 126
- 11.2.2 MEDIA BROWSER 126
- LOCATION LIST 126
- SESSION RECORDINGS AND GRABS 127
- FILE PANE 127
- FILE FILTERS 127
- FILE CONTEXT MENU 128
- 11.2.3 PLAYER CONTROLS 128
- TIME DISPLAY 128
- PLAYLIST MODE 128
- TRANSPORT CONTROLS 128
- AUTOPLAY 129
- FIGURE 134 130
- PREVIEWING MEM SLOTS 131
- FIGURE 136 132
- FIGURE 138 133
- FIGURE 139 133
- FIGURE 137 133
- STAND-IN IMAGES 134
- SECTION 11.4 BUFFERS 135
- FIGURE 144 136
- FIGURE 145 137
- FIGURE 146 137
- FIGURE 147 138
- FIGURE 148 138
- FIGURE 149 140
- PTZ CONTROL 141
- FIGURE 153 142
- FIGURE 152 142
- CAMERA SETTINGS 143
- LIVEMATTE 145
- SECTION 13.2 MATTE 146
- SECTION 13.4 COMPOSITING 148
- SECTION 13.5 FINE TUNING 148
- MIX/EFFECT (M/E) TOOLS 151
- FIGURE 161 152
- FIGURE 162 152
- FIGURE 163 153
- FIGURE 164 153
- FIGURE 166 154
- FIGURE 165 154
- FIGURE 167 155
- UTILITIES 156
- FIGURE 172 157
- FIGURE 173 157
- FIGURE 174 157
- FIGURE 171 157
- PHOTOSHOP BLEND 158
- INPUT POSITION 159
- SHOTS AND ANIMATION 159
- EFFECT PRESET EDITOR 160
- THE T-BAR 160
- FIGURE 181 161
- FIGURE 183 161
- FIG. 182, TRICASTER 8000 161
- SECTION 14.3 KEY CHANNELS 162
- FIGURE 186 163
- SECTION 15.2 HEADPHONES 166
- GAIN A/B 167
- SECTION 15.5 COMMON CONTROLS 168
- AUDITIONING AN AUDIO SOURCE 169
- FIGURE 197 170
- RUN MACRO AT 171
- FOLLOW PROGRAM VIDEO 171
- FIGURE 202 172
- FIGURE 201 172
- BUSSES AND OUTPUTS 173
- SUB-MIXES AND ‘MIX MINUS’ 174
- EQUALIZER 175
- COMPRESSOR LIMITER 176
- THRESHOLD 176
- RELEASE 177
- NOISE GATE 177
- FIGURE 206 178
- FIGURE 207 178
- SECTION 15.9 MEM SLOT BINS 179
- NETWORK INPUTS 181
- FIGURE 209 182
- FIGURE 210 182
- FIGURE 212 183
- FIGURE 213 183
- FIGURE 211 183
- THE CONTROL PANEL 184
- DESTINATION 184
- RECORDING 184
- QUALITY (CONFIGURE) 184
- VIDEO SOURCE 185
- AUDIO SOURCE 186
- OPTIONS 186
- SEND/RECORD/STOP 186
- SECTION 16.2 AIRPLAY 187
- SECTION 16.4 3PLAY™ 188
- SECTION 16.5 TALKSHOW™ 188
- SECTION 16.6 NETWORK VIDEO 188
- FIGURE 224 189
- FIGURE 225 191
- FIGURE 226 191
- RECORDING MACROS 192
- SECTION 17.2 MANAGING MACROS 193
- SECTION 17.3 AUTOMATION 193
- SECTION 17.4 REMOTE CONTROL 193
- STREAM 195
- FIGURE 231 196
- FIGURE 232 196
- FIGURE 233 196
- SECTION 18.4 AUDIO LEVEL 198
- ON DEMAND HOSTING 199
- LIVE STREAMING 199
- BANDWIDTH CONSIDERATIONS 199
- PULL BY END USERS 200
- PUSH TO PROVIDER 201
- OTHER FACTORS 203
- TESTING WITH PING 204
- FIGURE 234 205
- FIGURE 235 205
- FIGURE 236 205
- PULL CONNECTION ISSUES 206
- FIGURE 237 207
- SPEED TESTS 208
- PUBLISH 209
- SECTION 19.3 PUBLISH BIN 210
- FIGURE 239 211
- FIGURE 240 211
- FIGURE 241 211
- FIGURE 243 212
- FIGURE 244 212
- FIGURE 242 212
- SECTION 19.4 PUBLISH QUEUE 213
- FIGURE 247 214
- FIGURE 246 214
- FIGURE 248 215
- RECORD AND GRAB 217
- BASE NAME 218
- SYNC FRAMES FOR NLE 218
- RECORDERS 219
- SAVE TO 220
- ENCODING 220
- ALTERNATE FORMATS 220
- AVI (SPEEDHQ) 221
- CLIP DURATION AND PLAY SPEED 222
- THE REPLAY PAD 222
- SECTION 20.2 GRAB 223
- AUTHORING TITLE PAGES 225
- CONTROL SURFACES 229
- FIGURE 261 231
- SWITCHER CONTROLS 232
- DSK, PROGRAM AND PREVIEW 232
- MAIN DSK DELEGATE 232
- DELEGATE 233
- TRANSITION BIN CONTROL 233
- & TRANS 234
- ERFORMING TRANSITIONS 234
- AIN T-BAR, TAKE AND AUTO 234
- OCAL TAKE & AUTO 234
- FIGURE 265 234
- INPUT ROWS 236
- M/E TRANSITION CONTROLS 236
- LIVESET SHOT 236
- DELEGATES 237
- JOYSTICK DELEGATES 237
- LIVESET ZOOM 237
- SHTL (SHUTTLE) 237
- POS/SCALE 238
- ROT (ROTATE) 238
- MONITORING 239
- MEDIA PLAYER > DELEGATE 239
- PREV/NEXT PRESET 239
- MARK IN/OUT 239
- TRANSPORT CONTROL 239
- MEDIA PLAYER OPTIONS 240
- Control Operation 242
- Description 242
- AirSend Command 242
- FIGURE 278 243
- FIGURE 279 244
- PROGRAM AND PREVIEW 245
- UTIL (UTILITY) ROW 246
- UTIL BUS DELEGATE 246
- TRANSITION DELEGATE 247
- M/E 247
- FADE & TRANS 248
- PERFORMING TRANSITIONS 248
- MAIN T-BAR, TAKE AND AUTO 248
- LOCAL TAKE/AUTO 249
- M/E DELEGATE 249
- FOLLOW PVW 249
- M/E OVERLAY TRANSITIONS 250
- KEY TRANSITION SETTINGS 250
- TAKE, AUTO AND KEY 250
- POSITIONER DELEGATE 251
- JOYSTICK MODES 252
- MEDIA PLAYER DELEGATE 254
- FIGURE 289 255
- FIGURE 291 257
- ALT AND SHIFT FUNCTIONS 259
- SHIFT FUNCTIONS 260
- SELECT AND RATE 260
- SECTION 22.6 TIMEWARP™ 261
- Qualifiers 262
- Record 262
- FIGURE 297 263
- FIGURE 298 263
- (MARK) IN 264
- FIGURE 302 266
- FIGURE 304 266
- FIGURE 303 266
- NOTES 267
- SECTION 22.7 AVID 268
- ARTIST MIX 268
- 22.7.4 PANEL LAYOUT 270
- POWER button (Figure 309) 271
- FIGURE 310 272
- FIGURE 311 272
- FIGURE 312 272
- MULTI-CHANNEL PAN CONTROL 273
- GAIN A AND B (MIC TRIM) 273
- FIGURE 317 274
- FIGURE 318 274
- FIGURE 316 274
- FIGURE 315 274
- FIGURE 320 275
- FIGURE 319 275
- FIGURE 321 276
- SECTION 22.8 MIDI CONTROL 277
- FIGURE 323 278
- FIGURE 324 278
- SECTION 22.9 GPI CONTROLLERS 279
- SENDING GPI COMMANDS 280
- A HOW DO I … (?) 281
- Quicktime® 282
- Flash® (F4V) 282
- A.1 CONNECTIONS 283
- COMPUTER MONITOR 284
- SUPPLEMENTARY QUESTIONS: 285
- VIDEO MONITORS/DEVICES 285
- SUPPLEMENTARY QUESTION: 286
- A.2 SESSIONS 291
- FIGURE 52 293
- A.3 LIVE PRODUCTION 295
- FIGURE 328 296
- FIGURE 329 296
- FIGURE 330 296
- FIGURE 331 298
- QUICKTIME® 300
- REMUXING CLIPS 301
- FLASH (F4V) 301
- A.4 FILES 303
- FIGURE 332 304
- A.7 MISCELLANEOUS 310
- B.1 TESTING, ONE TWO … 313
- B.2 IVGA™ AND PERFORMANCE 313
- B.3 IMAG AND LATENCY 313
- C VIDEO CALIBRATION 317
- WAVEFORM MONITOR 318
- VECTORSCOPE 319
- USING COLOR BARS 320
- FIGURE 339 321
- FIGURE 340 322
- C.4 FURTHER READING 323
- D KEYSTROKE SHORTCUTS 325
- D.3 RECORD, GRAB, AND STREAM 326
- D.4 TABS 326
- D.5 WORKSPACE 326
- D.6 MEDIA PLAYERS 326
- D.7 GENERAL 327
- E DIMENSIONS AND MOUNTING 329
- FIGURE 342 330
- FIGURE 343 331
- FIGURE 344 331
- FIGURE 345 332
- FIGURE 346 332
- FIGURE 347 333
- FIGURE 348 333
- Page 334
- F RELIABILITY TESTING 335
- CREDITS 341
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